Tag: lists (Page 4 of 4)

Favorite 1990s Live Action TV Series

In chronological order.

  • Twin Peaks (1990-1991)
  • The Fresh Prince of Bel-Air (1990-1996)
  • Babylon 5 (1993–1998)
  • Star Trek: Deep Space Nine (1993–1999)
  • NYPD Blue (1993-2005)
  • Everybody Loves Raymond (1996-2005)
  • 3rd Rock from the Sun (1996–2001)
  • Stargate SG-1 (1997–2007)
  • Buffy the Vampire Slayer (1997-2003)

Favorite 1980s Live Action TV Series

In chronological order.

  • Hill Street Blues (1981)
  • ‘Allo ‘Allo! (1982-1992)
  • Cheers (1982–1993)
  • Blackadder (1983)
  • Moonlighting (1985–1989)
  • L.A. Law (1986-1994)
  • Star Trek: The Next Generation (1987-1994)
  • Quantum Leap (1989–1993)
  • Seinfeld (1989-1998)

Favorite 1970s Live Action TV Series

In chronological order.

  • Columbo (1971-1977)
  • M*A*S*H (1972-1983)
  • Kojak (1973–1978)
  • The Six Million Dollar Man (1973-1978)
  • Planet of the Apes (1974)
  • Fawlty Towers (1975 & 1979)
  • The Incredible Hulk (1977-1982)
  • Battlestar Galactica (1978–1979)

Favorite 1960s Live Action TV Series

In chronological order.

  • The Twilight Zone (1959–1964)
  • The Addams Family (1964-1966)
  • Bewitched (1964-1972)
  • The Munsters (1964-1966)
  • Voyage to the Bottom of the Sea (1964-1968)
  • I Dream of Jeannie (1965-1970)
  • Lost in Space (1965-1968)
  • Batman (1966-1968)
  • Mission: Impossible (1966-1973)
  • Star Trek (1966-1969)
  • The Time Tunnel (1966-1967)
  • Monty Python’s Flying Circus (1969-1974)

A Few Scattered Thoughts About Lists

Lists can be used for many purposes, some more practical (like a shopping list) and others more literary (like Vladimir Nabokov’s inventory of tourist attractions in Lolita), some more serious (like the articles of the United States Constitution) and others more lighthearted (like Benjamin Franklin’s 228 synonyms for drunkenness). Lists can also be an entertaining format to communicate tastes and preferences, and these are the ones that always intrigue and entertain me. Here are the main reasons why I enjoy making lists of favorites and looking at other people’s lists of favorites. Organized, of course, as a list.

01 – To reexamine and challenge my own preferences.

It’s too easy to categorize a book or a movie based on our first impressions and then leave it there forever. But our relationship with cultural artifacts changes over time, as we learn new things and generate new ideas, and revisiting previously labeled and catalogued works may reshape our perception of them.

For example, perhaps you first read Jack Kerouac’s On the Road when you were a teenager, while living with your parents, and then you rediscovered it as an adult, after you made a long trip by yourself and had a few adventures of your own, and it was almost like a different book. Or perhaps you watched Jack Clayton’s The Innocents when you were younger and thought it was a boring movie, a horror story without horror, and then saw it again many years later and discovered that it’s actually a subtle tale of fear and uncertainty, much better than the cheap scares you get from most contemporary horror movies.

Cultural artifacts may also change themselves in relation to the context that surrounds them. Reading J.R.R. Tolkien’s The Lord of the Rings before watching Peter Jackson’s trilogy of the same name is definitely not the same experience as reading it after you’ve seen the movies. George Orwell’s Nineteen Eighty-Four has always been influential since its publishing in 1949, but the experience of reading it is fundamentally different when you know your government is practicing mass surveillance on its citizens and trying to mislead the media and manipulate public opinion.

Making a list is an opportunity to review my categorizations, reevaluate them, sometimes revisit some favorites to see if they are still favorites or perhaps to replace them with new discoveries.

02 – To reshuffle ideas and reorganize memories.

I have been making lists for many years, and I must confess that once in a while I look at an old list and have no idea why I included or excluded something from it. Yes, any list of my favorite foods would include sushi, and there it is, but where is the paella? I love paella, how could I forget the paella? And was I drunk when I listed Philippe de Broca’s Le Magnifique among my top movies from the seventies? I don’t even remember it that well. Time to shake and reorganize these lists. Perhaps I will watch Le Magnifique again, possibly followed by paella and a good Rioja.

03 – To present ideas in a quick and simple way.

Many of us, perhaps too many, seem to want to know everything but would not take the time to learn anything. Because there are other things to do and we don’t want to miss them. Combine TL;DR (too long; didn’t read) with FOMO (fear of missing out) and you have someone eager to consume information in the smallest portions available. Lists can provide that ideal format, very short and direct, a promise of immediate knowledge.

Or, perhaps to rebel against frenetic consumption, lists can be less direct and more convoluted, like this one. Unless you are only reading the headings and ignoring all the verbiage, in which case this list, to you, is also short and direct. But you would be missing all the fun.

04 – To generate conversations.

You may learn more about a person from their answer to “what are your three favorite movies” or “what are your favorite places in the world for a long weekend” than what you would get from more habitual queries like “where are you originally from” or “what do you do for a living”.

In some cases you don’t even need to see the contents of the list, as the choice of what to list can already be a powerful statement. The person making a list of “the healthiest ways to prepare your tofu” is probably a very different individual than the one telling you about “the most delicious ways to grill pork ribs”.

Great conversations usually happen when the lists are very similar with just one or two exceptions. If you like Dashiell Hammett and Raymond Chandler, and you see them in my list of top crime writers, and also see Jim Thompson there, an author you haven’t read, you may want to learn more about him and perhaps try some of his novels. (Incidentally, Jim Thompson is one of the most interesting hardboiled novelists. But that’s a story for another time.) If you and your friend have both included John Coltrane, Charlie Parker, Lester Young, and Stan Getz in your respective lists of top five jazz saxophonists, it may be interesting to see your friend try to defend Kenny G as his fifth pick. Even if we consider such defense an impossible task, the first four picks show that you already agree on many things in this particular topic, and the conversation should at least be amusing and stimulating. (Defending Kenny G as one of the best jazz sax players is as unwise as defending Jar Jar Binks as one of the best characters in Star Wars. Unless, of course, you embrace the non-canonical theory of Binks as the Sith Lord secretly controlling all events around him. Perhaps that’s the only way to defend Kenny G: call him Darth G.)

05 – To pretend we can bring order to chaos.

A list is in itself an attempt to organize things or ideas. Even unordered lists create a system with two categories, one of things that are in the list and the other of things that are not in the list. Lists help us create an appearance of order.

Establishing a set of internal guidelines can take this a step further and enhance the sense of organization. I like to work with a few self-imposed guidelines when creating my lists. For example, when listing favorite movies from a certain period or in a certain genre, I usually restrict it to only one title per director. Also, since the decisions about what to include and what to exclude are hard enough, sometimes I save myself from the extra distress of having to order the items internally. Instead, I list my selections in chronological or in alphabetical order. Guidelines like these can reinforce the sense of a solid structure with sturdy internal order.

It can be very satisfying to have these lists, categories, rules, selection criteria, with everything ending up neatly organized. But, of course, it’s all pretense. Life, as Shakespeare famously wrote, “is a tale told by an idiot, full of sound and fury, signifying nothing”. Hey, that’s a great quote. You should put it on a list.

Favorite Movies 2011-2020

In chronological order, only one movie per director.

  • Mientras Duermes (Jaume Balagueró, 2011)
  • Her (Spike Jonze, 2013)
  • About Time (Richard Curtis, 2013)
  • Only Lovers Left Alive (Jim Jarmush, 2013)
  • The Grand Budapest Hotel (Wes Anderson, 2014)
  • Birdman (Alejandro González Iñárritu, 2014)
  • Ex Machina (Alex Garland, 2014)
  • Relatos Salvajes (Damián Szifrón, 2014)
  • The Hateful Eight (Quentin Tarantino, 2015)
  • The Lobster (Yorgos Lanthimos, 2015)
  • Trumbo (Jay Roach, 2015)
  • Captain Fantastic (Matt Ross, 2016)
  • The Shape of Water (Guillermo del Toro, 2017)
  • Marjorie Prime (Michael Almereyda, 2017)
  • Get Out (Jordan Peele, 2017)
  • Parasite (Bong Joon-ho, 2019)
  • Dolor y Gloria (Pedro Almodóvar, 2019)
  • Waiting for the Barbarians (Ciro Guerra, 2019)
  • Ventajas de Viajar en Tren (Aritz Moreno, 2019)
  • The Midnight Sky (George Clooney, 2020)

Favorite Movies 2001-2010

In chronological order, only one movie per director.

  • The Lord of the Rings (Peter Jackson, 2001/2003)
  • The Ring (Gore Verbinski, 2002)
  • Basic (John McTiernan, 2003)
  • The Dreamers (Bernardo Bertolucci, 2003)
  • Lost in Translation (Sofia Coppola, 2003)
  • Kill Bill: Volume 1 / Volume 2 (Quentin Tarantino, 2003/2004)
  • Sideways (Alexander Payne, 2004)
  • Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
  • Crash (Paul Haggis, 2004)
  • House of Flying Daggers (Zhang Yimou, 2004)
  • Match Point (Woody Allen, 2005)
  • A History of Violence (David Cronenberg, 2005)
  • La Moustache (Emmanuel Carrère, 2005)
  • Pan’s Labyrinth (Guillermo del Toro, 2006)
  • Volver (Pedro Almodóvar, 2006)
  • The Lives of Others (Florian Henckel von Donnersmarck, 2006)
  • The Man from Earth (Richard Schenkman, 2007)
  • Synecdoche, New York (Charlie Kaufman, 2008)
  • The Time Traveler’s Wife (Robert Schwentke, 2009)
  • Inception (Christopher Nolan, 2010)

Favorite Movies 1991-2000

In chronological order, only one movie per director.

  • Silence of the Lambs (Jonathan Demme, 1991)
  • Delicatessen (Marc Caro & Jean-Pierre Jeunet, 1991)
  • Pulp Fiction (Quentin Tarantino, 1994)
  • The Usual Suspects (Bryan Singer, 1995)
  • Things to Do in Denver When You’re Dead (Gary Fleder, 1995)
  • Twelve Monkeys (Terry Gilliam, 1995)
  • Fargo (Joel Coen, 1996)
  • Contact (Robert Zemeckis, 1997)
  • A Simple Plan (Sam Raimi, 1998)
  • Fight Club (David Fincher, 1999)
  • The Matrix (Andy Wachowski & Larry Wachowski, 1999)
  • Being John Malkovich (Spike Jonze, 1999)
  • Todo sobre mi Madre (Pedro Almodóvar, 1999)
  • Nueve Reinas (Fabián Bielinsky, 2000)
  • Memento (Christopher Nolan, 2000)

Favorite Movies 1981-1990

In chronological order, only one movie per director.

  • Body Heat (Lawrence Kasdan, 1981)
  • The Postman Always Rings Twice (Bob Rafelson, 1981)
  • Raiders of the Lost Ark (Steven Spielberg, 1981)
  • Blade Runner (Ridley Scott, 1982)
  • Storia di Ordinaria Follia (Marco Ferreri, 1982)
  • Amadeus (Milos Forman, 1984)
  • Greystoke: The Legend of Tarzan, Lord of the Apes (Hugh Hudson, 1984)
  • The Terminator (James Cameron, 1984)
  • Ran (Akira Kurosawa, 1985)
  • The Decline of the American Empire (Denys Arcand, 1986)
  • House of Games (David Mamet, 1987)
  • Mujeres al Borde de un Ataque de Nervios (Pedro Almodóvar, 1988)
  • Farewell to the King (John Milius, 1989)
  • The War of the Roses (Danny DeVito, 1989)
  • Rosencrantz and Guildenstern Are Dead (Tom Stoppard, 1990)
  • Misery (Rob Reiner, 1990)

Favorite Movies 1960-1980

In chronological order, only one movie per director.

  • La Dolce Vita (Federico Fellini, 1960)
  • Yojimbo (Akira Kurosawa, 1961)
  • L’Année dernière à Marienbad (Alain Resnais, 1961)
  • What Ever Happened to Baby Jane? (Robert Aldrich, 1962)
  • The Exterminating Angel (Luis Buñuel, 1962)
  • Le Samouraï (Jean-Pierre Melville, 1967)
  • Rosemary’s Baby (Roman Polanski, 1968)
  • Planet of the Apes (Franklin J. Schaffner, 1968)
  • Z (Costa-Gavras, 1969)
  • The Godfather (Francis Ford Coppola, 1972)
  • La Planète Sauvage (René Laloux, 1973)
  • The Man Who Would Be King (John Huston, 1975)
  • One Flew Over the Cuckoo’s Nest (Milos Forman, 1975)
  • All That Jazz (Bob Fosse, 1979)
  • Life of Brian (Terry Jones, 1979)
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