Tag: scifi (Page 1 of 2)

Favorite Science Fiction Novels, 2000-2020

  • House of Leaves (2000), by Mark Z. Danielewski
  • Perdido Street Station (2000), by China Miéville
  • The Three-Body Problem (2008), by Liu Cixin
  • The Yiddish Policemen’s Union (2008), by Michael Chabon
  • The Martian (2011), by Andy Weir
  • Ancillary Justice (2013), by Ann Leckie
  • Annihilation (2014), by Jeff VanderMeer

In chronological order.

Favorite Science Fiction Novels, 1970-1979

  • Tau Zero (1970), by Poul Anderson
  • The Dancers at the End of Time (1972), by Michael Moorcock
  • Time Enough for Love (1973), by Robert A. Heinlein
  • The Forever War (1976), by Joe Haldeman
  • The Hitchhiker’s Guide to the Galaxy (1979), by Douglas Adams

In chronological order.

Favorite Science Fiction Novels, 1960-1969

  • Solaris (1961), by Stanislaw Lem
  • The Man in the High Castle (1962), by Philip K. Dick
  • Cat’s Cradle (1963), by Kurt Vonnegut
  • La Nuit des Temps (1968), by René Barjavel
  • The Left Hand of Darkness (1969), by Ursula K. Le Guin

In chronological order.

Favorite Science Fiction Novels, 1950-1959

  • The Day of the Triffids (1951), by John Wyndham
  • More Than Human (1952), by Theodore Sturgeon
  • The Demolished Man (1952), by Alfred Bester
  • Fahrenheit 451 (1953), by Ray Bradbury
  • Childhood’s End (1953), by Arthur C. Clarke
  • The End of Eternity (1955), by Isaac Asimov
  • The Stars My Destination (1956), by Alfred Bester
  • A Canticle for Leibowitz (1959), by Walter M. Miller Jr

In chronological order.

Favorite Science Fiction Novels, 1900-1949

  • The Lost World (1912), by Arthur Conan Doyle
  • A Voyage to Arcturus (1920), by David Lindsay
  • Brave New World (1932), by Aldous Huxley
  • At the Mountains of Madness (1936), by H.P. Lovecraft
  • Who Goes There? (1938), by Don A. Stuart
  • The Invention of Morel (1840), by Adolfo Bioy Casares
  • Donovan’s Brain (1942), by Curt Siodmak
  • Nineteen Eighty-Four (1949), by George Orwell

In chronological order.

Favorite Science Fiction Novels, 19th century

  • Frankenstein (1818), by Mary Shelley
  • The Narrative of Arthur Gordon Pym of Nantucket (1838), by E.A. Poe
  • Twenty Thousand Leagues Under the Seas (1869), by Jules Verne
  • Strange Case of Dr Jekyll and Mr Hyde (1886), by R.L. Stevenson
  • The Time Machine (1895), by H.G. Wells

In chronological order.

Manchurian Candidates

Richard Condon’s The Manchurian Candidate is one of the defining Cold War thrillers of American literature. Published in 1959, it captures a world of paranoia, espionage, and ideological extremism at the height of the Red Scare. The novel follows Sergeant Raymond Shaw, a decorated Korean War veteran who, unbeknownst to himself, has been brainwashed by Communist agents into becoming an unwitting assassin. The real tragedy (and brilliance) of Condon’s construction is that Shaw’s mother, Eleanor Iselin, is the true villain: an ambitious, ruthless woman who manipulates both her son and her husband, Senator John Iselin, a demagogic McCarthy caricature, to

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Three Times Tron

When Tron premiered in 1982, it was unlike anything audiences had ever seen. Made by Walt Disney Productions and directed by Steven Lisberger, the film combined live-action footage with computer-generated imagery in ways that were not just new but revolutionary. Yet for all its visual daring, Tron remains a strange hybrid: a movie that wedded an almost childishly simple story to some of the most sophisticated visual technology of its time. At its core, Tron tells a fairly naive story. Kevin Flynn (Jeff Bridges), a brilliant but wronged programmer, is digitized and transported inside a computer, where he must battle

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