How many Terminator movies can you watch in a single day? Well, if you are a geek like me and happens to be stranded at home feeling a bit sick, you can watch all of them. At the time of this writing, there are only six Terminator movies out there, so I was able to fit the whole 722 minutes (that’s a bit over twelve hours) into my totally not busy schedule for the day.
The Terminator (James Cameron, 1984) started everything. A near-unstoppable cyborg assassin (Arnold Schwarzenegger), is sent from a future dominated by machines, to kill Sarah Connor (Linda Hamilton), the mother of the future leader of the human resistance, while a guerrilla fighter (Michael Biehn) also travels back to protect her. We had seen time travel before, like for example in Time After Time (1979). We had seen computers declaring war on humanity, like in Colossus: The Forbin Project (1970). We had even seen determined killer androids, like in Westworld (1973). But all those elements combined into a cohesive story and presented in a gritty narrative made The Terminator an instant science fiction classic. The Terminator itself became an iconic figure, representing the cold, unfeeling nature of machines contrasted with the resilience and ingenuity of humans.
The Terminator does more than just tell a standalone story. It lays the groundwork for a complex mythology that would be expanded (and eventually ignored) in the subsequent films. The concept of Skynet, the self-aware AI that decides humanity is a threat, and the nuclear apocalypse known as Judgment Day, are pivotal in defining the thematic core of the series.
Like many time travel movies, it invites some questions regarding the logic of causes and consequences, and the possibility of paradoxes. If the Terminator succeeds in killing Sarah Connor, John Connor will not be born and will not become the leader of the resistence, and there will be no reason to send a Terminator back in time. Then, with no Terminator traveling to the past, who killed Sara Connor? Also, ironically, if Kyle Reese is not sent to stop the Terminator, he won’t father John Connor, which means it’s the Skynet mission to prevent John Connor’s existence what makes his existence possible.
Terminator 2: Judgment Day (James Cameron, 1991) picks up years after the events of the first film. A more advanced Terminator, the liquid-metal T-1000 (Robert Patrick), is sent back from the future by Skynet to kill John Connor (Edward Furlong), the future leader of the human resistance. He is supposed to be 10 years old, but he looks like a 14-year-old juvenile delinquent. To protect John, the resistance reprograms another Terminator, a T-800 (Arnold Schwarzenegger), and sends it back in time. The film explores Sarah Connor’s (Linda Hamilton) struggle to prevent Skynet’s creation and stop Judgment Day, the apocalyptic event in which Skynet becomes self-aware and triggers a nuclear holocaust.
The depiction of the characters one decade after the first movie is convincing. With the knowledge of what’s going to happen, Sarah Connor becomes a self-reliant paranoid survivalist. And her son, growing up from foster home to foster home, is a precocious proto-nihilist rebel. But what makes the sequel memorable is the return of the Terminator now as a heroic figure, this time sent back to protect John Connor.
In Terminator 2 we get a more detailed explanation of how Skynet was created. A company called Cyberdyne Systems reverse-engineered future technology found in the remnants of the dismantled Terminator from the first movie, and used it build Skynet. Sarah Connor is determined to prevent that by destroying the Terminator parts. No future technology, no Skynet, no Judgement Day. But if she succeeds in stopping that future from happening, who sent the Terminators in the first and second movies? And if she fails and Skynet is created, that’s a classic closed loop time travel paradox: Skynet exists because of the technology that only exists due to its own future existence, being at the same time the cause and the consequence.
The new model of Terminator is visually striking but also raises some questions. First, we know that the time travel machine only allows for live tissue to go through. Kyle Reese was human and the T-800 model was fully covered in live human tissue. But if the T-1000 model is all liquid metal, how was it able to travel? Second, while the T-800 has a power source (and even an alternative battery), the T-1000 doesn’t (it’s all liquid metal). Quite a lot of energy is spent running after the protagonists, changing shapes, or even taking a walk, but that mass of mimetic polyalloy is not receiving energy from anywhere. It just spends it, never acquires any. That’s never explained.
Terminator 3: Rise of the Machines (Jonathan Mostow, 2003) is much weaker than the previous two movies. Nick Stahl as a young adult John Connor is very unconvincing. He has a passive or reactive role, lacking decisiveness and leadership qualities. That’s not someone capable of organizing a weekend camping trip, much less of leading the human resistance against the machines. And we are missing Sarah Connor in this movie, because she apparently has died.
The new Terminator model, the T-X (Kristanna Loken), is too powerful to be credible. It can do everything the T-1000 could do, plus it can create machines with moving parts, sophisticated electronic devices, remote controls vehicles, and even has an internal mini-lab for DNA testing. Power source? T-800 says she’s driven by a plasma reactor. It looks more like magic. Claire Danes as Kate Brewster, future wife and fellow resistance fighter of John Connor, is a nice addition. But the few good moments here are actually provided by Arnold Schwarzenegger as a new (and funny) good Terminator.
Terminator 3 negates the plot achievements of Terminator 2. Sarah and John believed that by destroying Cyberdyne Systems and the T-800’s arm and chip they had averted the creation of Skynet. But here we learn that Skynet’s development seems inevitable, regardless of Cyberdyne’s destruction. And the proof that Skynet is alive and well in the future is that it keeps sending Terminators to hunt John Connor and his associates.
Terminator Salvation (McG, 2009) is the first film in the series to take place completely in the post-apocalyptical world that follows Judgement Day. After unborn John Connor, child John Connor, and youngster John Connor, it’s logical this time we get adult John Connor. Christian Bale is very good in the role. Anton Yelchin as young Kyle Reese is also a good surprise. Bryce Dallas Howard replaces Claire Danes as Kate Brewster, now Kate Connor. Sam Worthington is Marcus Wright, a human-terminator hybrid experiment. Schwarzenegger, governor of California at the time, allowed his CGI image to be used so the original T-800 could be in the story. Overall, the movie feels like a big improvement after the weak Terminator 3.
Time travel is just hinted here, and only because we already know about the Kyle Reese versus T-800 battles from the first movie. It focuses instead on the ongoing clash between humanity and Skynet, emphasizing war, survival, and moral ambiguity. It’s possibly the darker film in the series. One of the more compelling aspects of Terminator Salvation is Marcus Wright’s journey. Marcus, who is revealed to be a cyborg, grapples with questions of identity, free will, and what it means to be human. His internal conflict drives much of the emotional weight of the film, adding some complexity to a narrative that otherwise focuses heavily on action. It’s unclear, however, why human-machine hybrids aren’t used more widely by Skynet, and why Marcus is the only one we’ve seen.
Terminator Genisys (Alan Taylor, 2015), the fifth movie in the series, makes some unexpected choices. It ambitiously revisits and reinterprets the franchise’s mythology, especially the first two iconic films, while disregarding the later sequels. By doing that, it basically reboots the series by offering an alternate timeline that alters key events from the original films.
The movie opens with familiar territory: the year is 2029, and the human resistance, led by John Connor (Jason Clarke), is on the verge of defeating Skynet. Skynet’s last-ditch effort is to send a Terminator (Arnold Schwarzenegger) back to 1984 to kill Sarah Connor (Emilia Clarke) before she can give birth to John. In response, John sends Kyle Reese (Jai Courtney) back in time to protect her. However, when Reese arrives in 1984, he finds that the timeline has been altered: Sarah Connor is already a skilled fighter and is protected by an aging T-800, affectionately called Pops (also played by Schwarzenegger). This sets off a series of events involving alternate timelines, new villains, and the discovery that John Connor himself has been turned into a machine by Skynet.
Surprisingly, there are many things that work very well here. The opening sequence is a direct homage to The Terminator, with shot-for-shot recreations of iconic scenes, such as the arrival of the T-800 at the Griffith Observatory. The movie taps into nostalgia by revisiting familiar moments and offering new spins on key events, like Sarah Connor’s first encounter with the T-800. Schwarzenegger returning as the T-800 brings a new twist, as he is now playing an older version of the character, the Pops Terminator, with a blend of action prowess and humor. His interactions with Emilia Clarke’s Sarah Connor (a good choice for the role) provide some of the film’s more heartfelt and comedic moments, especially in the dynamic of their surrogate father-daughter relationship.
The new takes on established characters (for example, Sarah Connor is no longer the vulnerable, unsuspecting woman from the first film, but instead she has been raised by the T-800 and is fully aware of her role in shaping humanity’s future) and the idea of a fractured timeline (events from the original films have been altered) bring a much needed freshness to the series.
The new logic of time travel, however, raises new problems. For example, if the timeline has been altered, why does Skynet send the original T-800 back to 1984 when the Sarah Connor of that timeline is already prepared for him? The film never adequately explains why Skynet and the resistance continue to send agents back in time despite the timeline having already changed. If Skynet is aware that the timeline has been altered, why does it still use strategies from the original timeline?
Despite what some people may consider cheating (ignoring the events of Terminator 3 and Terminator Salvation) and despite the plot holes (how many movies about time travel avoid those?), Terminator Genisys can be quite entertaining.
Terminator: Dark Fate (Tim Miller, 2019) feels like a bad joke. After the alternative view offered by the previous movie, this one goes with “forget everything not made by James Cameron and let’s pretend this is the third installment of the franchise”. Not surprisingly, Cameron is the producer and one of the story creators. The film begins with a shocking and controversial twist: John Connor, the leader of the future human resistance, is killed by a rogue T-800 Terminator shortly after the events of Terminator 2. That reduces the importance of the character’s story arc, which was central to the original films. Killing him off in the opening scene not only feels disrespectful to the character but also undermines the emotional investment fans had in his journey. The whole “John Connor must live because he will lead the human resistance against the machines” becomes irrelevant. Why would they do that? It feels like a bad decision fueled by the desire to pander to a woke audience: let’s kill the white male hero and replace him with a hispanic female protagonist. I like stories with strong female leads, but not when that requires disrespecting the legacy of an established plot line.
In conclusion, and in very simple terms: The Terminator (1984), Terminator 2: Judgment Day (1991), Terminator Salvation (2009), Terminator Genisys (2015), all good. Terminator 3: Rise of the Machines (2003), Terminator: Dark Fate (2019), not good. But I’m sure sooner or later there will be more Terminator movies. Like Schwarzenegger would say, “I’ll be back”.